When I was fourteen years old I found a small lump in my left breast. That lump would later grow to the size and shape of a small lemon. When my mother and I expressed concern we were told that there was nothing wrong with me. After our continued persistence the doctor decided to have surgery “because it was bothering me so much.” By the time the breast surgeon decided to operate, the lump was visible through a thin shirt and I was 16 years old. The surgery would reveal that the lump contained 75% cancerous cells. Fortunately for me the cancer had not spread and I was able to return to a relatively normal life after three surgeries. Others are not so lucky. Although white, middle-aged women are more likely than any other race to be diagnosed with breast cancer, African-American women are more likely to die from it. Part of the reason for this disparity stems from distrust in the health care system by African Americans after decades of predatory health care practices, the lack of early detection and preventative measures, and unaffordable healthcare. This paper seeks to address the specific reasons for the disparities in the treatment of African-American women in the health care industry, especially in terms of breast health, how the gap can be closed, and the resources available to women of color now.
This topic is definitely relevant to the topics in the Frontier Capstone course as it deals with both race and sexuality. African-American men and women have be subjected to predatory health care practices because of their race including experimentation with infectious diseases and many have been killed in the name of science. African-American women face predatory practices as African-Americans and as women, a fact the intersectionality and black feminist movements intend to change.
It may be argued today that the movement should be change the disparity in all minorities, not just African-Americans, but studies have shown that African-Americans face the most discrimination in terms of health care practices. And while it is also known that African-American are less likely to seek preventative treatment, centuries of abuse has embedded the distrust that causes this fact and only system policy changes can reverse it.
Nikki's View
Sunday, November 16, 2014
Tuesday, October 28, 2014
The Pornography Industry's Obsession With Labels
April Flores A.K.A Fatty D A.K.A Fatty Delicious is a
pale, bright red haired, Latina adult film star. She is a large woman with a
larger personality and she is out to change the way the porn industry views
thicker women. In the porn world larger women are not considered to be
attractive in the sense that thinner women are. Thicker women must be confined
to fetish groups along with other types of se that are considered abnormal.
Larger women, such as myself, are considered lazy, unhealthy, and undisciplined
among others. In Fatty D’s article, “Being Fatty D: Size, Beauty, and
Embodiment in the Adult Industry,” she discusses the difficulty the porn
industry has with the concept of a plus sized woman being sexually desirable. AVN
(Adult Video News) was quoted as stating that BBW porn (Big Beautiful Women)
allows “allowing those too embarrassed to actually be seen with fat chicks the
opportunity to jerk off to them in the privacy of their home.” Plus-sized women
are often depicted as disgusting, sexual deviants in pornography. The article
noted some of the derogatory titles Fatty D had come across: “Cash For
Chunkers,” “All Ass No Face,” “Double Dipped Faties,” and “Fat Cocksucking
Whores” are a few. Now this isn’t to say that only plus-sized women are
degraded and dehumanized in pornography or in society for that matter because
we are all aware that it simply isn’t true. This just provides an example. The
fact is pornography simply mimics the society that it is associated with. In
pornography it is easy and even accepted to try to confine everyone to neat little
categories that we feel they belong to. We have clear definitions of what it
means to be attractive, straight, sexy, and so on. But everything is not black
and white. Does labeling someone as part of the BBW community really provide
those members with community of which they will be accepted or does it just further acknowledge the fact that they do
not meet the qualifications to be accepted in “normal” society?
“Being
Fatty D: Size, Beauty, and Embodiment in the Adult Industry”-April Flores
Excluded: Making Feminist Movements More Inclusive-Julia Serano
Monday, October 20, 2014
The Race Issue
When I was in my sophomore year at the University of the
District of Columbia I met a guy in one of my business courses. He was a southern
gentleman who had just come home from the navy and his name was Cody. I thought he was the sweetest thing ever and
I couldn’t wait to tell my parents about him. My mother was happy that I had
found someone that shared my values and intellect. I gushed when I showed her
his picture that was on my phone. I also showed it to my father as he walked
passed me. “I hope you’re not planning on bringing that white man to this
house,” he scoffed as he walked into this kitchen. “One day you’re going to
find a nice BLACK man to marry.” I’ve never looked at my father as a prejudiced
man. He never made any bigoted comments and my schools and, as a result, my
friends were widely diverse. And yet still the topic of interracial relationship
was a sore was a tender subject. Even after all these years interracial dating
is still considered taboo. When most people think of interracial relationships
they think of black men running off with white women. We think of comments like
Terrence Howard, saying that black women are no good and only bring you down. Black
women, especially those in the older generations, still believe that black men
who gain success will leave their black girlfriends or wives for more desirable
white women. And then when do look at men like Terrence Howard, Tiger
Woods, Robert Griffin III, and
even Kobe Bryant who are supposed to be
role models within the black community and either only date or cheat on
their black spouses with women of different
races. It would seem that this would no longer be an issue and that people
should be able to have a preference and love who they choose to love. But when
we live in a society when light skin is valued over darker skin, when the black
race is even divided between “team light skinned” and “team dark skinned,” when
black women are still over sexualized in media and deemed unworthy at home,
when a black man, when trying to pick up a black woman, refers to her as “exotic
looking” instead of acknowledging her beautiful African roots, we know that it
isn’t possible. When a black woman is told that she should straighten her hair
because “it doesn’t look,” or that she needs to find herself a white man
because at least he will have good credit, when black men are constantly berated
by black women on television, we know it is not possible. And as long as we
place a bandage on society’s wounds
we will continue to feel uncomfortable
instead of healed.
Monday, October 13, 2014
Where is the Chunky Love?
I am chunky. That is the term I’ve given myself since I have
found that since I was a little girl that I have been too large to be
considered small and too small to be really accepted by the big girl community.
I dreamed to be thin. I had perfected the art of “poking in” my pouch since the
age of eight. My beautiful, plus-sized and perfectly round aunt would say “Darice
you will never be skinny. But hey, look at me, I’m fat and I’m happy." Those
words only seemed to terrify me further. My mother would console me by saying
that I would thin out as I got taller but that didn’t happen. I have a short frame,
large breast, and a round face and tummy. I struggled with my weight throughout my
childhood and even now. I was always considered cute but not just not the right
type when it came to guys. It was almost like the guys at school were ashamed
to talk to me. I had all but completely
lost my confidence when I found a guy, out of school, who liked me. He REALLY
liked me and was proud to show me off in public. But I began to notice little
things about him soon. He always wanted to feed me. I can only really remember
one date that didn’t include going out to eat. One day we were leaving the
Starbucks where he worked and after he had convinced me that I needed a 550
calorie Caramel Frappuccino I joked “you would think you wanted to get me fat.”
But he did. He replied “You would just be perfect if you gained about 20 more
pounds.” And that cycle continued for me. Too fat, too small. Too fat, too
small.
Society has taught us that in order to be accepted you must
be conventionally beautiful; that you must be tall, slender, and without
noticeable flaws. More recently it has become popular to be considered “thick”-having
and unnaturally small waist with large breast and an even larger behind. Larger
women who are a little more round in the middle are starting to finally be
accepted as well. It was great that “Homeland” featured a partially nude plus
sized woman during their sex scene. & while I would have preferred that
they didn’t choose to have Quinn sober in the scene, further perpetuating the
stereotype that larger women are only sexy when intoxicated, they redeemed themselves
when Quinn not only took the woman to breakfast but defended her honor in the
face of two jerks. I am extremely proud of this. I am happy that I have a plus
sized sister who is confident in her own skin and lives during a time where it
is acceptable for a large woman to walk down the street of her tall, slim
boyfriend with minimal glares. I guess my question remains “Why only the
extremes?” In the media we either see the skinny chick or the fat chick. When
are the ones who fall just short of one of the categories going to be shown?
And when are we going to realize that people come in all different sizes,
colors, and shapes and should not be forced to squeeze into molds in which we
simply do not belong?
Wednesday, September 24, 2014
Intersectionality?
Intersectionality? When I was first introduced to the word I had absolutely no idea what the term meant or how relevant it was to me, not only as a woman but a black woman. Intersectionality is a term first described by Kimberle Crenshaw to describe the concept that all women experience oppression in varying levels of intensity. It also notes that cultural oppression is intertwined with it as well. I have never really considered myself to be a feminist but when I look at the definition as described by Merriam-Webster dictionary, I am. Feminism refers to the theory of political, economic, and social equality of the sexes. I adamantly support those causes. However that is simply not enough. The intersectional feminist theory supports the idea that all women, regardless of race or class, suffer from some type of oppression. But I do believe that the plight of black women, especially black american women has been much more detrimental than that of other races. Black women have, for the longest time, been dehumanized, belittles, sexualized, and treated less than. Intersectionality recognizes this, the fact the our oppression as women and as black americans are not separate. In order all women to become fully liberated the fact that privilege exist will have to be acknowledged. And this does not just refer that white privilege which is known do exist in American. This refers to all privilege, may it be race, gender, or class privilege. There has been arguments as to whether or not black feminism should still exist when intersectionality covers the oppression of the black woman so thoroughly. In my upcoming writings I will focus on supporting my stance that black feminism is still very much necessary. Intersectionality is very inclusive which is positive trait. It is my belief that it is still important to represent the causes of the black woman. The support that black feminism represents is still a fundamental piece in rebuilding the women, men, and children in the black community.
www.merriam-webster.com/dictionary/feminism
http://isreview.org/issue/91/black-feminism-and-intersectionality
http://www.palgrave-journals.com/fr/journal/v89/n1/full/fr20084a.html
http://www.telegraph.co.uk/women/womens-life/10572435/Intersectional-feminism.-What-the-hell-is-it-And-why-you-should-care.html
www.hamptoninstitution.org
www.merriam-webster.com/dictionary/feminism
http://isreview.org/issue/91/black-feminism-and-intersectionality
http://www.palgrave-journals.com/fr/journal/v89/n1/full/fr20084a.html
http://www.telegraph.co.uk/women/womens-life/10572435/Intersectional-feminism.-What-the-hell-is-it-And-why-you-should-care.html
www.hamptoninstitution.org
Tuesday, September 16, 2014
Born This Way
In the Gay Rights Movement there
has been a constant debate between anti- gay conservatives and gay activists.
The conservatives believe that homosexuality is similar to a disease or an
addiction, something to be treated. It is also believed that homosexuals have chosen
this “unnatural” way of living. On the other side of the spectrum are the gay
rights activists who proudly exclaim “we were born this way.” I don’t personally take a stance on either
side. Whether someone is born with the desire or makes a conscientious decision at a later date is no business of mine or anyone else's. And, more importantly, what’s wrong with “choosing”
to be gay?
“…Some glands control desire. I
don’t believe that. I think desire is mysterious, but I don’t think it’s
genetic. I’d like to think I’m gay because I want to be.” – John Weir, “Like a
Virgin”
Even
during an era where there seems to be great strides in the LGBT community,
there is still a need to justify the act of homosexuality. A need to explain
why you are this way. However, no one seems to question society’s standard of heterosexuality.
I may be argued down about this but I equate homosexuality to a preference,
just like any other. I have a preference of men and that’s my right. Is it
wrong? It’s definitely not. But are my friends’ preferences of the same sex, or
both sexes, wrong? Not at all.
The need
to question someone’s sexuality doesn't cease with the straight community.
Bisexuals' motives are questioned within their own communities as well. Some view them
as going through a phase between hetero and homo-sexuality and others question
their loyalty. And again I question why this is anyone's business but that of the person involved. I can continue to support the LGBT community without being a lesbian or bisexual. Am I not remaining loyal to the straight community by doing so?
We as a global community are so quick to past judgment based on what we perceive as the “right” way to do something. Why not exert all of this unnecessary "need to know" mentality to a worthier cause.Why not get to know yourself first-your dreams, aspirations, desires, and maybe those of others,
if they want you to. If not, it’s not any of your business. It’s. Just. Not. My pastor
once imparted some wisdom during a sermon that I carry with me: “Some of you
who look down on them will find them sitting beside you after you leave this earth.” He was
referring to the LGBT community but regardless of religious affiliation it can
be applied to everyone: people of different religious backgrounds, disabilities,
races, genders, and any other category I may kick myself about later for
failing to remember. Just live your life according to how it makes you feel,
and let others do the same.
Monday, September 8, 2014
The Help...Invoking Inspiration or Rage
The Help is a 2011 film written by Tate Taylor and adapted from Kathryn Stockett’s 2009 book. The movie tells the story of two African-American maids working in the 1960s for white families as told by a white journalist. The film included award winning stars such as Cicely Tyson, Octavia Spencer, and Viola Davis and received overwhelming praises from Oprah. Even with such an extraordinary cast the movie divided black activists who have been torn as to whether the movie should be celebrated for including many African-American stars in leading roles or condemned for perpetuating black stereotypes. I have decided to weigh in on the debate using SCWAMP as my guideline. SCWAMP is a tool created by Rebecca Ann Lind of University of Illinois to analyze how dominant U.S ideologies are reinforced in film. SCWAMP stands for Straight/Christian/White/Able-bodied/Property-Holder.
I realized almost immediately that there would be no coverage of the LGBT-Friends community in this movie. After all, this was a movie set to portray life in 1960s and open relationships that were not completely heterosexual were few and far between. Instead of addressing the fact that homosexuality did, in fact, exist during that era, The Help the writer’s decided to disregard the possibility of homosexuality in the town all together. The women in the town were either married or looking for a husband. I had also already assumed that there would be predominantly Christian influences in the movie because of its’ setting in southern town of Jackson, Mississippi. The movie offers uplifting messages from the pulpit of the Christian church of Minnie and makes references to God in loving thy enemy and God’s provision for the Israelites to be freed from slavery. There are no references to any other movie in the film
African Americans have been victims of white privilege in both film and reality for as long as we have been in America. The Help was no different I knew it should be expected because of the decade in which the movie was supposed to take place. My issue with the film lies in the subtle messages of inferiority in the film. One that especially stands out is the part of the film where, Minny, played by Octavia Spencer, gives a previous employer a chocolate pie with feces as the main ingredient. That, though disgusting, is not what frustrated me the most about this film as disgruntled employees of all races have been known to do some pretty grimy things. What angers me about this scene is what comes afterwards. A white woman with what appears to be a herpes sore on her lip after eating the pie. Others may not have caught it but I did. If one reads the novel they would find that Hilly suffers from cold sores because of stress. But there is power in exclusion. Why include the cold sore after the pie scene and not the scene that explains that Hilly suffered from this beforehand? In this light is something else to perpetuate the stereotype that black women are lesser than white women. That we are unclean and oversexed. In Anne Friedberg’s “ A Denial of Difference: Theories of Cinematic Identification,” she notes that “Even when representations of black women were present in film, our bodies and being were there to serve-to enhance and maintain white womanhood as object of the phallocentric gaze.” This view is evident in the use of the herpes sore, a sexually transmitted virus, and not common bacteria. This fully clarified to me that the media, even in movies that are designed to show black women in stronger roles and overcoming adversity, undercut them with subtleties that let us know that it will never be possible.
The writers in this film treated disabilities in the same fashion that they treated homosexuality-as if it didn’t exist. The only difference between this film and others is that because it was a period film and therefore wrought with racism, only white men were considered able-bodied, disability present or not.
In The Help there is male dominance but not to the extent that there have been in other movies. Because of the era, however, the black woman is dominated twice over; by her race and her gender. During the sixties the role of a maid or caretaker is the only job that a black woman could as she was seen as unfit to do anything else. The white women in the film were charged with keeping up the home. The young white journalist, Skeeter, is pressured by her mom to look for a husband. The black maids are more afraid of the husbands of the families, who have the ability to fire them, than they are the wives, who spend most of the day with these maids.
When Rebecca Ann Lind describes Property-holder, she includes the holders of intellectual property as well as physical property. In The Help the intellectual property is held by the young white journalist who has come to “rescue” the African-American maids. She is depicted at more intelligent and witty than her black counter parts throughout the film. The journalist, played by Emma Stone, is shown as the only one who has anything to lose from document her interviews with the maids and is putting herself on the line for the maids. The African-American women are depicted as weak because they could not unite within themselves but had to have the help of someone more intelligent.
I found it difficult to find the inspiration of the movie or of one positive note. I too found myself angry by the assumptions that black women had to be rescued and were considered less than. I also found the fact that the roles that black women are most likely to receive rewards in depict them in such degrading lights infuriating. It is my belief that The Help perpetuates most of the ideologies present in today’s media. Go Figure.
Dreamworks Studios. (2010, May 12). The Help. Retrieved September 8, 2014, from Dreamworks Studios: www.dreamworks.com
Hooks, B. (1992). The Oppositional Gaze. In B. Hooks, Black Looks: Race and Representation (pp. 115-131). Boston: South End Press.
Lind, R. A. (2013). Considering Diversity Across Content, Audiences, and Production. In R. A. Lind, Race/Gender/Class/Media 3.0 (pp. 198-203). New Jersey: Pearson.
Raskroff, S. (2012, January 19). Everyday Sociology Blog. Retrieved September 8, 2014, from Everyday Sociology Blog: www.everydaysociologyblog.com
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